• Otto KolleßPortfolio
  • Peak Sand

    Text

    the filling of space

    Text

    the filling of space

    Concept

    Text

    Industrial Landscape

    Text

    Gardens of Ludwigshafen

    Text

    Gardens of Ludwigshafen

    Peak Sand Computer rendering
    2020

    Peak Sand is the theorized point in time when the maximum rate of exploitation of sand is reached, after which it is expected to enter terminal decline. Sand is a crucial component of concrete, a material dependency which is increasing every year. As only a specific kind of sand grain can be used, it has initiated a system of exploitation in third world countries where a niche for illegal extraction methods has been devised. The ongoing project Peak Sand consists of a computer rendering that shows a glass vessel open at the top with an engraving on the inside that reads “We need to stop taking sand for granted and think of it as an endangered natural resource”. The glass vessel functions as a cast, created as a proposal for a collaboration with the company bioMASON that has developed a microorganism to grow biocement. By giving the microorganism a cast to grow a future monument is created. Once grown to completion, the concrete resembles a stone table of the past. The engraved lettering is raised in the concrete, making the statement set in a time lasting material transitioning fully from a conceptual computer animation to a physical object. The future monument Peak Sand is the first in a series of works with similar compositions. Applying both a familiar architectural design language and materiality as well as a cultural understanding of the function of stone tables. The future monument Peak Sand is a comment and critique of capitalist structures that disregards fair mining methods that are safe for human kind and the environment.

    the filling of space 26.5 x 21 cm
    Print on photocopy paper
    2018

    The filling of space outlines the development of Chinese cities documented through black and white analog photography. This project is an attempt to capture the social impact of rapid modernization of mega cities. The perspective adopted to visually address these urban developments reveals the unforgiving nature of expanding cities structured upon dehumanized ethics, and dispensable and oppressed human labor. These unfinished construction sites from winter 2017 depict spaces in transition showing “humanless” sites that will soon be integrated into the cityscape.

    ConceptInstallation
    2020

    This project aims to generate a tangible visualization of the frame of mind of users on Twitter and juxtaposes the result with news events on a global scale. This project reflects on the importance that social media has in any political debate and how the medium itself is creating and empowering political movements. Based on the BERT language model the sentiment of the Twitter posts is being monitored and analyzed. The findings are being drawn onto a roll of paper that has space for 6 months, after that period the roll will turn to make more space for the coming drawings. The archival motive of the fully automated machine creates an opportunity for the viewer to reflect on political developments and how they develop, as the last 6 months are displayed in front of them.

    Industrial Landscape40 x 28.6 cm Digital Prints mounted on acrylic glass plate
    2019

    Industrial Landscapes is a series of photographic prints of Navajo Nation territory, the largest remaining land area retained by an indigenous tribe in the US. This body of work traces the impact and hegemony of urban development and industrialization on the character of indigenous habitats. The photographs are printed on photo paper and mounted on acrylic glass, where the images are superimposed with the engravings on the acrylic plate depicting technical drawings of construction material. The reductive method of marking the surface by milling into the material in slow consistent movements resonates with the slow and gradual encroachment of indigenous land through developmental gestures and construction of the 20th century American urban expansion. These photographs capture the active traces of modern life such as tire tracks in the snow, electrical wires, basketball hoops, and other such manifestations of modernity in this secluded region, questioning the shift in human perception alongside the shift in habitats and environments.

    Shutdown 14.7 x 21 cm Print on photocopy paper
    2019

    Shutdown is a series of photographs taken at the Monument Valley National Park during the United States federal government shutdown of 2018–2019. Among other facilities and activities, the Antideficiency Act had a direct impact on the National park’s tourist activities and resulted in the park being deserted. Famous for its glowing red dessert facade against the expansive blue sky, Monument Valley is a popular cultural icon of America, a consistent feature in American popular media, especially prominent in films depicting the American West. The Valley as the name suggests is monumental and fraught with symbolism. The imagery in Shutdown is unable to evade the monumental character that is further sustained in the rock formation. Showing a desolated national icon with bare stands and useless tourist infrastructure the black and white photography creates a notion of being left behind. The viewer is able to draw connections between the inner political struggle of the nation and witness the dormant “land of opportunity”.

    Gardens of LudwigshafenVideo Installation
    2020

    The work Garden of Ludwigshafen places digital scans of Trees from the wealthy Heidelberg area in the concrete city scene of "working class" Ludwigshafen. Through this digital exchange, regional borders are overcome and equality in life quality is created in a virtual space. The tree -and the missing of it- in the artwork functions as a symbol for life and offers the viewer an opportunity to reflect historically grown differences.
    This work was part of the group exhibition Coronale at Mannheimer Kunstverein 2020.